Separate the harmony from the span
A chord symbol identifies a harmonic collection, not a requirement to reach every note in one hand. If a voicing stretches your fingers uncomfortably, stop and examine which notes are essential and which are doubled. A root can move to the left hand while the right hand plays the third and fifth. An octave doubling can often disappear without changing the basic chord identity. Your arrangement should fit your hands rather than treating one printed or displayed shape as the only valid way to make the sound.
Try a closer inversion
Reorder the chord tones so they sit within a comfortable area of the keyboard. For a seventh chord, divide the notes between hands or choose a compact position. Play slowly without pedal to confirm that the harmony remains clear and that the fingers can release naturally. Do not hold a wide position longer merely to prove you can. If you use a rolled chord, make its timing deliberate and suitable for the phrase rather than allowing the stretch to create an uncontrolled delay at every change.
Evaluate the result in context
Play the adapted voicing through the preceding and following chords while singing or humming the melody. Listen for a missing bass direction or a top note that now competes with the voice. Adjust register and doubling before assuming you need the original span. AudioChords diagrams can help identify the pitches, while your hands and ears determine the practical voicing. Record the passage and judge its musical clarity rather than its visual similarity to another player's technique. A comfortable arrangement is more likely to stay accurate, expressive, and repeatable throughout a complete song.