Define the destination before moving
Choose two chords that cause a hesitation and decide the exact voicing and fingering for each. Sound the first chord, release, and move to the second position without pressing the keys. Check where each fingertip has landed, then play the chord only after the position is clear. This separates navigation from attack. If the destination remains awkward even when you have unlimited time, choose a more comfortable inversion before training the movement at speed. Repetition should reinforce a workable route rather than a tense compromise.
Put the silent move inside a count
Count four beats per chord. Sound the first chord on beat one, release with enough time to travel, and silently prepare the next position before its downbeat. Gradually shorten the preparation window while keeping the next attack fixed. Avoid raising the hand farther than necessary or locking the arm during the move. Try looking at the destination briefly, then arriving without following every finger. The exercise develops a predictable sense of keyboard distance, not a requirement to perform with closed eyes or without any visual reference.
Rejoin the musical phrase
Practice a measure before and after the change with a simple left-hand part. Add the intended rhythm only when the landing remains accurate. If singing makes the move uncertain again, keep the accompaniment sparse while you coordinate the phrase. A verified AudioChords chart can remind you of the sequence, but the physical route should become familiar enough that you are not decoding every symbol at the moment of attack. Finish with several continuous passes and listen for on-time, relaxed arrivals. The useful outcome is a chord change that no longer interrupts the phrase, not a silent exercise performed perfectly in isolation.